From the Heart
Been There, Done That, Still Moving
Milk White Ocean
Beeja was started by Anusha Subramanyam – dancer, choreographer, teacher and dance movement therapist – who is seen as one of the most exciting exponents of bharatanatyam working ‘inside’ and ‘outside’ of its tradition. Her work is trans-cultural and inter-generational. She has also worked extensively with people who are differently abled.
Beeja means ‘seed’ in Hindi. In keeping with its name, Beeja aims to generate new ideas, new understanding and fresh creative forms, particularly through the way that it allows us to be alert to, and take tremendous pleasure in living organisms and biological webs of relatedness. Like a seed underneath the soil collecting all sorts of nutrients, Beeja works as a collective and draws on the skills of its members to develop a distinctive way of working that offers an all-round experience. It is about life’s choreography.
Over the years Beeja has performed in mainstream venues and in non-conventional venues like museums, hospitals, schools, village halls and other public spaces. It aims to make bharatanatyam accessible to a wider audience and encourage interaction with the artists and the dance form.
Beeja curates and produces Dance Festival Croydon, curates dance for Croydon Mela.
Beeja’s offers a range of options — performances, workshops, residencies and regular dance classes. Beeja, in collaboration with some of its partners, also offers workshops and residencies in ‘Bollywood’, Indian folk, creative movement and other Indian classical styles.
This choreographic work challenges notions of normal and abnormal, drawing inspiration from Anusha Subramanyam’s therapeutic and creative movement work with people with physical and mental challenges. It is an exploration of the dance that they created, using movement...
Fleeting Moments is a work conceived by Bishaka Sarker. Photo ©Vipul Sangoi
This site specific performance was an encounter between Indian classical dance and the most celebrated surviving artworks of the Italian High Renaissance. Anusha performed infront of two of Raphael’s monumental biblical scenes interpreting and drawing out the stories...